17.019 file audio bebas royalti untuk "Midi Files Of Tone Rows"

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

Last chord of Anger's Tintamarre (The Clangor of Bells) (1911).

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Georg Friedrich Händel: Ombra mai fu ("Largo")

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

MIDI file of 'Valse Lente' 1930 by Luois Lavater 1867-1953

8-16A octachord on C

7-5A heptachord on C

10-6 decachord on C

4-5A tetrachord on C

5-7A pentachord on C

7-2B heptachord on C. Inverted version of 7-2A.

6-21A hexachord on C

4-25 (French sixth) tetrachord on C

5-36ZB pentachord on C

7-35 (diatonic) heptachord on C

Alexander Scriabin: opus 40.02

10-4 decachord on C

8-26 octachord on C

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

6-26Z hexachord on C

8-16B octachord on C

7-16A heptachord on C

4-26 (minor seventh chord) tetrachord on C

9-7A nonachord on C.

7-38ZB heptachord on C

5-31B pentachord on C

6-30B hexachord on C

Giulio Caccini: Amor che attendi.

6-4ZA hexachord on C

5-27B pentachord on C

Chord progression with a borrowed chord second to last: iv or Fm in C major.

7-27B heptachord on C

7-13A heptachord on C

7-21B heptachord on C

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

8-9 octachord on C

5-16B pentachord on C

6-16A hexachord on C

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα